LEON REMNANT: REDEMPTION, RESILIENCE AND THE RETURN HOME

 

Music And Moments With Leon Remnant

Issue 14.0 Jan. 2026

Interview Conducted by Ayo Fabiyi
Designed by Chiagozie Mbuba Tochukwu

Leon Remnant is back. Fifteen years away from home, navigating the music scene in the United States, and countless lessons learned, he returns with a sound that is raw, inspirational, and unmistakably his. From soccer fields in Ondo State to studios across continents, Leon opens up about his journey, his struggles, and his highly anticipated EP, Redemption.

Let us start from the beginning. Who was Leon Remnant before the music, away from the fame and the stage? 

Leon: I am a sports fan. I used to play soccer from high school through college in Nigeria. I represented Ondo State and also played for my college team. Initially, I wanted to become a soccer player, but life changed and music took over.

When did music stop being fun and start becoming your purpose?

Leon: My music journey started when Ruggedman and Eedris Abdulkareem were dominating the rap scene. I gained interest from listening to them and mimicking their songs. When I got to Adeyemi College of Education in Ondo State, I formed a group called J'slogs with another artist, just the two of us. But we were part of a larger community of artists who all stuck together and collaborated. There was West Tribe with 2 artists, Top Cloud with 2 artists as well, and we all worked closely together. That's when music really became more than just a hobby for me. 

In an industry where standing out requires strategy, what early decision shifted your career?

Leon: I had to learn the process because I did not want to follow trends. I wanted to create a sound that people would immediately recognize as mine. I started as a secular artist, but over time, I gravitated toward inspirational music. I do not make songs for clubs or trends. I make music based on how I feel, and my fans love that authenticity.

Your album Faith Over Fear resonated deeply. Was the title personal to you? Did you doubt yourself during the process?

Leon: Faith Over Fear was my first project and it came during the pandemic. Everyone was locked down, and I saw it as an opportunity to focus. Living in the United States, the hustle is constant, so I could not be a full-time artist yet. During lockdown, I locked in. Most of the project was done on Zoom with producers and engineers in Nigeria.

After that release, I took a break from putting out music to work on my sound and myself. Now, I feel ready to come back.

You have worked with Mike Abdul, Naomi Mac and the Rooftop MCs. Which collaboration challenged you the most creatively?

Leon:

My first collaboration was with Rooftop MCs and Sokleva, which pushed me because they were heavyweight rappers. It made me step up my game.

Mike Abdul was also challenging because he is very selective. My team reached out to him, he sent me his draft verses unmixed after listening to my previous records. I recorded my two verses  and sent it to the engineer first. He listened, liked it, and added his own. That collaboration built a bond. Infact his engineer eventually ended up been the engineer that mixed and mastered my whole album Faith over Fear. He also produced Like you, we move and fall on me off the album. I just sent my verse, and they added theirs. The engineer's name is Tyanx. He scores most of the top movies in Nigeria right now. He’s worked with big names like Funke Akindele and Femi Adebayo, creating the soundtracks for their films. He's scored some of the most popular movies in cinemas; films like Lisabi, Seven Doors, Gangs of Lagos, Jagun Jagun, and Battle on Buka Street, just to name a few. 

If someone is hearing your music for the first time, what track should they start with?

Leon: Pressure, my last single with Sossick. That song is very personal. Back when Dagrin released the CEO album with Sossick, it inspired me. I always wanted to work with Sossick. Last year, I shared my vision with him about creating an album together, and we decided to release Pressure first. People loved it, and I recommend it because it represents both the journey and what I aim to achieve musically.

Your upcoming EP is ready. How would you describe the story, themes and vibe to someone who has not heard it?

Leon: People say I have changed my style, and that is because I can rap gospel in a way that surprises you. You might think it is secular until you listen closely.

The EP has a street gospel vibe. People keep asking if I am a secular or gospel artist, All I will say is enjoy the ART. I’m an artist and I’m also a believer of Faith in a Christ. I could speak about my journey of faith in a song and next songs could be about my life experiences with is totally not related to my faiths or beliefs. I make musics based on my emotions and feelings. I called it pure arts. I let everything out when I hear the instrumental.

Redemption is about showing people the real me, sharing my story and growth, and giving listeners a chance to experience my evolution.

You are building your career in the United States, but Nigeria is still home. Are there plans to return? 

Leon: Yes. I was in Nigeria last year after being away for eleven years. I have lived in the United States for fifteen years. I plan to return next year for media runs and to promote my EP and album. 

What would that homecoming look like? Shows, collaborations or something bigger?

Leon: I am planning a big project with Sossick. We intend to create fifteen to twenty songs, and once they are ready, we will decide which artists fit best to contribute. I want to launch the album in Nigeria with a concert because it is a comeback, and I want people to connect with my music. 

You talk a lot about inspiring youth. Can you describe a moment when you realized your music was making an impact? 

Leon: In the United States, I first tried to sound like the mainstream artists, but I realized that being true to myself worked better. My style is inspirational, and it started resonating with listeners who appreciate authenticity. People might judge me by appearance at first, but once they hear the music, they understand the message.

What has been your toughest moment in this journey? 

Leon: One of my biggest struggles has been working with people who promised to help push my projects forward but didn't deliver on those promises. The work they put in wasn't up to the standard we'd agreed upon, and it didn't meet my expectations. It was really discouraging, and there were moments I felt like giving up. But encouragement from the right people kept me going. Then I connected with Solid Guy Magazine, and I knew I was finally in safe hands with people who genuinely cared and followed through. 

When things do not go as planned, how do you reset mentally and spiritually? 

Leon: I have had records that did not perform as I expected. Even the song with Mike Abdul had strong media runs, but being away from Nigeria affected the impact because I could not perform or promote.

Now, my focus is on building an organic fanbase, even if it is only one hundred people. I want people who truly understand and connect with my music, not just numbers or charts. 

Who is on your dream collaboration list? 

Leon: In gospel, Lecrae.

Outside of that, J Cole and Kanye West.

In Nigeria, Brymo, Asa, Bnxn and Vector.

If you could give your younger self one piece of advice, what would it be?

Leon: Work harder and be consistent.

Away from the music and persona, who is Leon Remnant when no one is watching?

Leon: I am family oriented and a sports lover. I am someone who values personal growth and staying true to myself.

Before we wrap up, what can fans expect from you in this new chapter?

Leon: Fans should expect authenticity, growth and evolution. This chapter is about reconnecting with my roots, sharing my journey, and making music that resonates deeply. Every song I release will have purpose, and I want to build a community that understands and feels my story. It is not about hype or charts, but about making a lasting impact and showing the real Leon Remnant.

 

After sharing his journey, challenges, and vision, Leon Remnant leaves no doubt: this is just the beginning. Redemption is more than music.. it  is his story, his growth, and his invitation for listeners to experience him fully. Remember to Stay Solid!

Ayo Fabiyi for Solid Guy Magazine.

Nigerian youth culture continues to evolve at a rapid pace, blending global influences with local identity amid economic challenges and rapid digital advancement. In recent years, particularly through 2025, youth culture in Nigeria accelerated dramatically — fueled by innovation, intentionality, global connectivity, and resilience shaped by the nation’s socioeconomic realities.

With over 70% of Nigeria’s population under the age of 30, young people are not merely participants in cultural change; they are its primary drivers. From the pulsating beats of the New Age music movement to entrepreneurial hustles and renewed political consciousness, this article explores the defining facets of Nigerian youth culture in 2026, drawing from current trends and forward-looking projections.

Music

Nigerian music in 2026 reflects a bold shift toward exploration, with increased attention on the underground scene and the emergence of New Age artistes. These creatives blend Nigerian sonic elements across diverse genres, producing a refreshing and unconventional soundscape. While the mainstream industry continues to secure global recognition, the underground scene thrives through community-driven engagement rather than mass-market appeal — a shift that explains the renewed spike in SoundCloud usage among Nigerian youth.

This underground movement is injecting new energy into Nigeria’s music ecosystem, marked by genre-blending between hip-hop, rap, and alternative sounds. Emerging voices such as Mavo, Zaylevelten, Wave$tar, ScottyOlorin, Artsalghul, Kamultra, Udishigh, and Bigg Bobby, among others, are shaping this new wave. Sonically, the scene is more intentional and confident, with deeper storytelling and a stronger sense of artistic direction.

On the business side, music is evolving just as rapidly. Access to music business knowledge — once limited to industry insiders — has been democratized through digital platforms. Young creators now operate with greater autonomy, negotiate smarter deals, and build sustainable careers without relying solely on traditional gatekeepers.

Fashion

In 2026, youth expression through fashion is louder, freer, and more personal. Nigerian fashion labels are increasingly unapologetic — confidently merging Western influences with indigenous fabrics, tailoring techniques, and local narratives. This fusion is not imitation, but reinterpretation.

Fashion now places Nigerian youth culture at the center of global style conversations. Labels such as Mezurashi Studios, Pith Africa, and Triads are redefining how clothing is conceived and produced. Community has become central to brand growth, replacing safe, mass-appeal aesthetics with intentional storytelling, experimental silhouettes, and cultural assertion. Designers are increasingly focused on making statements, while young consumers remain open and curious — embracing unconventional cuts, textures, and ideas as expressions of identity rather than fleeting trends.

Fashion is no longer just worn; it is curated, documented, and performed online.

Arts

In the vibrant landscape of Nigerian youth culture in 2026, artists stand as beacons of innovation — transforming canvases into narratives that travel far beyond local borders. This generation moves fluidly across mediums, blurring the lines between painting, digital art, sculpture, mixed media, fashion, and installation. Nigerian youth artists are no longer waiting to be discovered; they are self-publishing culture in real time.

Economic realities continue to shape this creative surge. Artists are increasingly entrepreneurial, leveraging NFTs, limited-edition prints, collaborations with fashion and music brands, and pop-up exhibitions to sustain their practice. In 2026, Nigerian youth art is not simply about aesthetics — it is about agency. These artists are cultural architects, shaping how Nigeria is seen, remembered, and imagined on the global stage.

Streams

Streaming culture has become a defining force in new-age Nigerian youth expression. Platforms such as TikTok (with over 23.8 million Nigerian users), Twitch, and emerging livestream tools continue to empower creators despite persistent connectivity and data challenges. For Nigerian youth, streaming functions both as a creative outlet and an economic pathway, where influence is built through consistency, relatability, and cultural fluency rather than institutional backing.

Livestreaming has evolved beyond casual content into a powerful discovery platform — spotlighting talent in comedy, music reactions, gaming, pop culture commentary, and experimental entertainment formats.

Creators are no longer merely “content makers” but digital performers shaping slang, humor, fashion cues, and internet folklore in real time. Notable figures to watch include Shank, RynEnzo, Carter Efe, Tega the Creator, and Fogzy, each representing a new class of youth-driven media personalities redefining visibility, success, and cultural relevance in Nigeria’s digital age.

Politics

In 2026, political consciousness among Nigerian youth is less about blind allegiance and more about awareness, critique, and strategic engagement. Young people are demanding transparency, questioning leadership, and holding institutions accountable — using social media, music, art, fashion, and online forums as tools of expression.

Politics is no longer confined to rallies and ballot boxes. It lives in tweets, lyrics, streetwear slogans, visual art, and livestream conversations — turning culture itself into a site of resistance and commentary.

Lifestyle

Lifestyle within Nigerian youth culture in 2026 reflects a generation navigating ambition, survival, wellness, and self-definition simultaneously. While economic pressure remains a daily reality, there is a visible shift toward mental health awareness, rest, boundary-setting, and intentional living. Success is increasingly redefined beyond material wealth alone.

Entrepreneurship remains central — from side hustles and digital businesses to creative freelancing and brand-building. The growth of remote work, creator economies, and online marketplaces has enabled young Nigerians to imagine livelihoods beyond traditional employment paths. At the same time, lifestyle aesthetics — cafés, travel, fitness, spirituality, thrift culture, and curated social lives — are documented and shared online, turning everyday living into both content and inspiration.

Community remains a core pillar. Through creative collectives, pop-up events, fitness groups, book clubs, and underground parties, young Nigerians continue to prioritize spaces that foster belonging and collaboration. Lifestyle in 2026 is expressive, intentional, and adaptive — shaped equally by constraint and creativity.

Conclusion

Nigerian youth culture in 2026 is bold, fluid, and unapologetically self-defined. Across music, fashion, art, streaming, politics, and lifestyle, young Nigerians are not waiting for permission or validation — they are actively shaping culture, building systems, and telling their own stories on global stages.

More than a trend cycle, Nigerian youth culture represents a movement rooted in resilience, creativity, and collective ambition. It is not only influencing Nigeria’s future, but contributing meaningfully to global cultural conversations.

📸 Photo Credits (Images 1,3,4 & 13) : IG//Jpegbyprince Prince 

 

The fast-rising Afrobeat star releases “Paparazzi,” a vibrant new single with FOLA, marking the first official release leading into his highly anticipated project, Hybrid. The single arrives alongside a visually striking music video shot by acclaimed director Perliks.

Having already gained traction ahead of its release, Paparazzi had been teasing fans across social media, with snippets rapidly spreading on TikTok and generating almost 50k videos even before hitting streaming platforms. The record blends infectious melodies, confident lyricism, and an undeniable bounce, positioning it as an early contender for one of the year’s most replayed records.

On Paparazzi, Shoday x FOLA trade smooth lines and easy confidence as they try to impress a love interest, flexing success not as a gimmick but as proof of substance. The song is playful and romantic at its core, rooted in sweet talk, charm, and the kind of confidence that comes from knowing who you are and what you bring to the table.

The single arrives on the back of a standout year for Shoday, marked by viral moments, chart success, international performances, and a rapidly expanding global fanbase. With Hybrid on the horizon, Paparazzi sets the tone for what’s to come, offering a glimpse into a project that promises depth, versatility, and cultural relevance.

If early reactions are any indication, Paparazzi is not just a prelude. It is the beginning of Shoday’s next era.

Listen Here

WeAreProducHERs successfully hosted an exclusive Music Production 101 workshop on November 22nd, bringing together ten aspiring female music producers for an intimate, hands-on learning experience designed to increase women's participation in music production.

The carefully curated workshop maintained a selective 10-participant capacity, creating a cozy and personalized environment where each attendee received dedicated attention and guidance. This intimate setting proved instrumental in fostering confidence and encouraging questions, allowing participants to fully immerse themselves in the fundamentals of music production.

The workshop featured two comprehensive modules led by experienced facilitators Bodaxious and Gbots, covering the industry's leading Digital Audio Workstations (DAWs).

Participants received a thorough introduction to FL Studio, learning essential skills including:

• Creating beats from scratch
• Pattern creation and sequencing
• Piano roll navigation and usage
• MIDI implementation
• Recording techniques
• Core production workflows for beginners

The Ableton segment focused on recording essentials, covering:

• Step-by-step recording processes
• Essential equipment and software requirements
• Best practices for capturing quality audio
• Interface navigation and setup

Following the instructional sessions, participants engaged in an extensive practical component where they applied their newly acquired knowledge in real-time. Each attendee created original beats from scratch, experimented with recording their own audio, and collaborated by adding unique elements to shared productions. This practical approach ensured that theoretical knowledge translated into tangible skills.

The workshop received enthusiastic feedback from participants, who expressed appreciation for the supportive learning environment and practical teaching approach. Since the event, several attendees have reached out to share how the skills learned have already made their independent music production journeys significantly easier and more accessible.

The Music Production 101 workshop represents WeAreProducHERs' ongoing commitment to breaking down barriers and creating pathways for women in music production, an industry where female representation has historically been limited. By providing accessible, high-quality education in an encouraging environment, WeAreProducHERs continues to champion diversity and inclusion in music technology.

For more information about upcoming WeAreProducHERs workshops and initiatives, follow @weareproduchers on all social media platforms.

Nigerian artist Kitay is set to drop his new single “Joanna” in 2026, featuring the unmistakable storytelling style of rapper Magnito. The song is warm, catchy, and easy to connect with — the kind of track that feels simple but hits the right spot.

“Joanna” was inspired by a real moment. Kitay describes seeing a girl whose presence left him breathless. “Her body was stunning… in my mind I said, I no dey breathe again. Come be my inhaler, come save me.”

That playful spark became the heart of the song, and the name Joanna fit the vibe perfectly.

Born Okotete Okiemute, Kitay has grown from singing across different choirs in Warri to becoming a standout name on Project Fame and The Voice Nigeria. His sound has continued to evolve — blending melody, emotion, and Afrobeats in a way that feels authentic to him. With past releases like “Ogogoro” and “Kwete”, he has shown consistency and range.

Magnito’s verse adds flavor and personality, giving the track a balanced mix of charm, humor, and groove.

“Joanna” by Kitay featuring Magnito drops in 2026.

 

From The Studio To The Spotlight with Kitay

Issue 7.0 Nov. 2025

Interview conducted by Olulana Mofiyinfoluwa

Designed by Chiagozie Mbuba

Q. You started singing in the church choir. What parts of that foundation still shape your sound today?

A. I started singing in church as a lead singer and the first time I ever held a microphone to sing was 2010 and that’s where I learnt how to be versatile cus I was singing in all the choirs including traditional choir groups.

Q. Growing up in Warri, what memories or cultural influences do you feel molded the artist you’ve become?

A. Growing up in Warri and listening to Urhobo traditional music which I loved because of the amazing notes and tone ,I could not but copy so much from it and shaped into my style of singing.

Q. Before Project Fame and The Voice Nigeria, what was the hardest part of navigating the early days of your career?

A. Hardest part of Navigating the early days of my career, was getting financial support or making enough money to leave everything and focus on just music, I had to work on the side and school so it wasn’t easy.

Q. Was there a defining moment when you realized music wasn’t just a passion but your life’s path?

A. The defining moment was when I noticed that every time I sing ,and I went for a Warri gospel competition and I came out the top singer  effortlessly.

Q. You’ve experienced two major talent platforms. How did Project Fame shape you differently from The Voice Nigeria?

A. Project fame taught me literally everything I know about stage performance and I’ll say The Voice just amplified all that I already had and learnt over the years.

Q. What lessons did each stage teach you about performance, vulnerability, and audience connection?

A. It taught me that it’s not just about talent but also hardwork and character.

Q. Looking back, what would you tell your younger self walking into Project Fame for the first time?

A. I’ll go into project fame and do the same thing I did.

Q. How would you describe the evolution of “Kitay” — the artist — from your early singles to your sound today?

A. My evolution as an artiste has been mind blowing, from just a vocalist who always struggled to do afrobeat to now messing around with everything I come across and becoming very versatile in Afrobeats.

Q. What elements of your music today feel like reinvention, and what feels like a return to your core essence?

A. right now I always find a way to infuse everything because I actually can do everything and add a bit of my vocals which is my core.

Q. Has your artistic identity ever clashed with industry expectations? How did you navigate that?

A. No my artistic identity never clashed with industry expectations, I just needed to define and find my sound from how good I was already vocally.

Q. When you walk into the studio, what kind of energy, mindset, or ritual sets the tone for your best work?

A. When I step into the studio all I need is space to be with myself and no matter the mood I’ll always deliver.

Q. What’s the most transformative song you’ve made — the one that changed something inside you during recording?

A. my most transformative song would be a song I haven’t put out yet but soon!

Q. People see the spotlight but rarely the struggle. What has been your most personal battle on this journey?

A. My most personal battles are mainly having to deal with life and chasing my music career, sometimes it looks like you’re not serious or putting in the work or enough work from people only looking from the outside ,but nothing good comes easy, honestly some of these issues could make you quit music for good, even with signing bad contracts and they made you look stupid and wasted your time for no reasonable reason.

Q. How did you push through moments when the industry slowed down or doors weren’t opening?

A.  Seeing my audience grow has been exciting and only gives me more reason to always keep pushing because I can see the light at the end of the tunnel already, so yeah I know I’ll get there finally.

Q. What story are you telling right now as Kitay — the artist in motion?

A. The story I’m telling right now is a lot, but mainly focusing on love and connections felt between two people.

Q. What does performing live do for you that recording can’t?

A. Performing live helps me to express the song better and fully with no restrictions.

Q. What impact do you hope your music has on young artists coming from places like Warri who look up to you?

A. I hope my music inspires younger ones from Warri about pushing for excellence, because when it comes to my music I put out, I give my best always.

Q. You’ve teased new music and a forthcoming EP. What should fans expect from this next chapter?

A. from this next chapter fans should expect all the heat because I have so much coming that I am certain they are not ready and it will definitely be I believe, because now they get to really hear me in my full afrobeat element.

Q. If you could leave your listeners with one line that captures who Kitay is right now— what would that line be?

A. Just a boy from Warri Wen get big  dreams.

I don face Many pains, Many defeats..

Even some Family Members dem nor to believe…

But Me I head on strong, Cus na me get the Dream!!!